Chris Knox's prolific output is so consistent in its quality and scope that it's often easy to forget just how good his records really are. While there's little to distinguish Yes!! from recent efforts like Songs of You & Me or Meat, that's hardly meant as a criticism -- Knox's albums increasingly seem less like individual works than part of a much bigger picture that's still coming into focus, and compared to the erratic, anything-goes aesthetic which permeates the American lo-fi underground, it's refreshing to encounter an artist with such a firm grasp of his craft that he makes excellent albums seem almost automatic.
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