Hammers and Anvils, the first solo release by ex-Verlaines leader Graeme Downes, is reminiscent of his band's best and another artist, Lou Reed, both alone and with The Velvet Underground. A monastic intensity clings to these 13 tracks. Hammers and Anvils opens with the title track: a complaint against love and the industry accompanied by stark solo guitars. It ends 40 minutes later on a vamp, "Mastercontrol", about hedonism's last stand. In between, Downes revs ("Alright by Me", "Cattle, Cars and Chainsaws") and ruminates (the gorgeous "Song for a Hollywood Road Movie") with equal compassion. His attentive, impressionistic lyrics avoid cliché. He delivers salient observations about disparate subjects - Cole Porter, Gucci, aimless Sunday afternoons, AIDS - which never feel fractious or incongruous. Casting his net wide, on Hammers and Anvils Graeme Downes captures a bounty.
The purpose of this blog is to expose you to the unique and unrepeatable New Zealand scene known as "Dunedin Sound" that emerged in New Zealand in the early eighties. This space takes over from wonderful blogs that in their time served to make known to the world some of the most significant bands and records of that period. The present collection is dedicated to all those kiwi bands -many of them already forgotten- who, without knowing it, wrote a very important page in the history of music.
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