Heroin's back in fashion again, but listening to Snapper's new album back to back with the band's other records could scare all but the truly death-obsessed away from the drug. Back in the late 80s, Snapper's debut EP was one of the most exciting things in the Flying Nun catalog; it crossed his facility at arranging colorfully distorted sounds with the full-on aggression derived from early Suicide, applying an irresistible sonic juggernaut to gorgeously catchy melodies. But even then, band-leader (and ex- Clean founder) Peter Gutteridge's substance abuse exploits weren't exactly secret around Dunedin. The quartet took 4 years to record a follow-up album, and by the time it was out his band had deserted him - they quit after he nodded out on stage. Gutteridge plays everything except for the drums, which are pounded by Toy Love veteran Mike Dooley. Pete's still a master at layering snaky tendrils of snarling distorted guitars and slaps buzzing keyboards over that monolithic beat. The hypnotic attack of every Snapper release has been greeted with acclaim, receiving rave reviews in the UK, US and NZ press and gaining a loyal following (including the likes of Stereolab and the Jesus and Mary Chain)
The purpose of this blog is to expose you to the unique and unrepeatable New Zealand scene known as "Dunedin Sound" that emerged in New Zealand in the early eighties. This space takes over from wonderful blogs that in their time served to make known to the world some of the most significant bands and records of that period. The present collection is dedicated to all those kiwi bands -many of them already forgotten- who, without knowing it, wrote a very important page in the history of music.
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