viernes, 26 de abril de 2019
jueves, 25 de abril de 2019
Renderers' guitarist Brian Crook made the sound of the Terminals even more aggressive and anarchic. Touch (Raffmond, 1992) is a demonic and cacophonous work, particularly in the vocal parts (Stephen Cogle and Brian Crook) and in the (dissonant) keyboards parts (Mick Eldorado). Furthermore, the drummer (Peter Stapleton) has progressed to a living orgy of tribalism in the vein of Maureen Tucker (Velvet Underground).