An album of low-key beauty recorded the year before he left for NYC, Reference is what it says on the tin: a catalogue raisoneé laying out Watson's pluralistic thing. 'A Code' starts off with a lo-bit From Scratch-style sampled bamboo rhythm and a squall of squealing riffage multi-tracked with back-masked guitar drones. 'To Read A Cipher' follows, skipping between snippets of Fahey-like and Donald McPherson-esque acoustic noodling, while its counterpart 'To Write...' bellows Bailey-ish and bell-like with clockwork zithers. Side Two's ten minute epic 'The Arithmetic Symbol 0' opens with amp feedback and drastically stereo separated signal/delay, sidesteps into acoustic improv then on to microphone-on-strings, atmospheric slide and distant rhythms with rusty hinges. The urgent 'To Unravel' plays ping pong with bowed drones and volume swells, with hypnopompic bass and insistent muted-string-strumming snowballing into the reverb and squeaks of a background basketball gym. Pensive but never po-faced, there is a playfulness inherent in its experimentalism, much in the manner of Greg Malcolm.
The purpose of this blog is to expose you to the unique and unrepeatable New Zealand scene known as "Dunedin Sound" that emerged in New Zealand in the early eighties. This space takes over from wonderful blogs that in their time served to make known to the world some of the most significant bands and records of that period. The present collection is dedicated to all those kiwi bands -many of them already forgotten- who, without knowing it, wrote a very important page in the history of music.
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