Never has a name been so apt. A cauldron of prairie fire and brimstone, the sweltering beauty of Peter Stapleton's Scorched Earth Policy lies in their ability to conjure visions of austere desolation, sun-drenched despair, and loves lost and buried with a raucous, tumbling fury not found in the subdued murmurings of the Victor Dimisich Band. While those were delivered in the hushed tones of quiet desperation, these are the tortured cries of a soul slowly succumbing to the hypnotizing lull of insanity. It is the creeping, lingering shadow of the mid-afternoon sun as it tantalizes and mocks, an intangible harbinger of the darkness to come. Rising from the ashes of Victor Dimisich, Scorched Earth Policy was active from 1982 to 1986; during that time they released two EPs on Flying Nun, 1984's 'Dust to Dust' and 1985's 'Going thru' a Hole in the Back of Your Head.' Two live cassettes followed, one a posthumous Xpressway release. 'Keep Away from the Wires,' a collection released on Stapleton's Medication label in 2000, compiles the two EPs in their entirety along with outtakes and live selections. The main separating factor between Victor Dimisich and Scorched Earth--aside from Stephen Cogle's imitable baritone--was undoubtedly the contributions of guitarist Brian Crook to the latter. A spine-tingling blend of poetic menace and bite defines Crook's playing; it is impossible to imagine either Scorched Earth Policy or the Renderers without it.
The purpose of this blog is to expose you to the unique and unrepeatable New Zealand scene known as "Dunedin Sound" that emerged in New Zealand in the early eighties. This space takes over from wonderful blogs that in their time served to make known to the world some of the most significant bands and records of that period. The present collection is dedicated to all those kiwi bands -many of them already forgotten- who, without knowing it, wrote a very important page in the history of music.
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Is it possible to renew this link and The Terminals please
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