Although recorded quickly and on a miniscule budget, Boodle, Boodle, Boodle remains one of the great records of the early 1980s. The album was recorded by The Clean and scene mavens Chris Knox and Doug Hood on Knox's Teac 4-track recorder; it would be Flying Nun's third release (and first EP). Bassist Robert Scott remembers the recording and mixing sessions well: "We just selected a group of songs we wanted to do and recorded them quickly. We were in a small, wooden hall—40 foot by 40 foot. The hall had a really nice and natural sound. We just set our equipment up like we were doing a gig. We recorded and mixed it all in two days (September 7 and 8, 1981)." (Leach, Razorcake #62). Boodle, Boodle, Boodle sold in relatively large numbers, hitting number 4 in the New Zealand charts. It enabled Flying Nun to continue releasing records with much-needed capital. Boodle, Boodle, Boodle remains a highwater mark of New Zealand music.
The purpose of this blog is to expose you to the unique and unrepeatable New Zealand scene known as "Dunedin Sound" that emerged in New Zealand in the early eighties. This space takes over from wonderful blogs that in their time served to make known to the world some of the most significant bands and records of that period. The present collection is dedicated to all those kiwi bands -many of them already forgotten- who, without knowing it, wrote a very important page in the history of music.
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