This album was Brian and Mayrose Crook's second full-length release as the Renderers, appearing four years after their debut, 'Trail of Tears.' The Crooks would produce their most lasting material with the Southern-fried, psychedelic twang of the Renderers, born out of the anarchic joy of the Max Block; 'The Dog's Head in the Gutter...' is undoubtedly their masterpiece. While 1991's 'Million Lights' 7" announced Mayrose Crook as the perfect vocal counterpoint to her husband, it is with this album that she truly comes into her own as a vocalist. The slow-burn of "So Blind," coupled with the quietly defiant resignation of Mayrose's vocal, punctuated by the piercing guitar tones of Brian Crook, achieves an escalating emotional intensity that sets the tone for the remainder of the album. Positioned after the ominous, dusk-tinged "Unforgiven," the two songs exemplify the weeping humanism at the heart of the Renderer's music, bittersweet yet tinged with the allure of misanthropy.
The purpose of this blog is to expose you to the unique and unrepeatable New Zealand scene known as "Dunedin Sound" that emerged in New Zealand in the early eighties. This space takes over from wonderful blogs that in their time served to make known to the world some of the most significant bands and records of that period. The present collection is dedicated to all those kiwi bands -many of them already forgotten- who, without knowing it, wrote a very important page in the history of music.
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