A crucial chapter in NZ's alternative lifestyle, music, film, and visual and performing arts histories, the legend of Blerta's four years on Earth (and probably other planets) possibly outweighs their actual recorded output. Others have written plenty about the significant influence of the troupe, including Roger Booth's excellent Bruno Lawrence bio, and a Radio New Zealand audio documentary. The cover art -- and the image of muddy hippies that the Blerta story conjures up -- has little to do with their sophisticated, finely-honed music. I expected fuzz guitar, sloppy lyrics about peace, and possibly bongos. Their debut album is jazzy, silly, bawdy, and above all well-crafted. Side one really captures the theatrical side of the touring band, with suggestive story-songs for the grown-ups (no "Dance All Around The World" here), and Beaver's joyful ballad "This Is The Life." Side two starts with the short Bruno-sung "Superman", then another ballad, then quickly moves on to nearly 20 minutes of tight pop-psych-jazz instrumentals. Essential.
The purpose of this blog is to expose you to the unique and unrepeatable New Zealand scene known as "Dunedin Sound" that emerged in New Zealand in the early eighties. This space takes over from wonderful blogs that in their time served to make known to the world some of the most significant bands and records of that period. The present collection is dedicated to all those kiwi bands -many of them already forgotten- who, without knowing it, wrote a very important page in the history of music.
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