Their follow-up, Small Miracles, was recorded on the streets of New York, with just a few sidewalk sessions and some bass overdubs needed to complete the recording (on the street, Mitchell didn’t use a bass drum). ‘Substance Abuser’, the single, was a mix of power-pop and the cartoon punk of The Ramones. The album reached #4 on the playlist charts of the US college radio stations, and many enthusiastic reviews. The Drongos’ New York attitude and initiative were apparent when they returned to New Zealand for several gigs in the summer of 1985-86. They arranged a local release of Small Miracles through WEA, and pre-arranged the venues and publicity.
The purpose of this blog is to expose you to the unique and unrepeatable New Zealand scene known as "Dunedin Sound" that emerged in New Zealand in the early eighties. This space takes over from wonderful blogs that in their time served to make known to the world some of the most significant bands and records of that period. The present collection is dedicated to all those kiwi bands -many of them already forgotten- who, without knowing it, wrote a very important page in the history of music.
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